Fairly medium to slim dating

The Gobelins factory, for instance, used 12 or 15 threads per inch (5 or 6 per centimetre).In many 20th-century tapestries a finer grain was contrasted with the effects of a heavier weave.The sheen of silk thread was often used for highlights or to give a luminous effect when contrasted to the dull and darkly coloured heavier woolen threads.In 18th-century European tapestries, silk was increasingly used, especially at the Beauvais factory in France, to achieve subtle tonal effects.Most of the Chinese and Japanese tapestries have both warp and weft threads of silk.Pure silk tapestries were also made in the Middle Ages by the Byzantines and in parts of the Middle East.Tapestry, woven decorative fabric, the design of which is built up in the course of weaving.Broadly, the name has been used for almost any heavy material, handwoven, machine woven, or even embroidered, used to cover furniture, walls, or floors or for the decoration of clothing.

Tapestry traditionally has been a luxury art afforded only by the wealthy, and even in the 21st century large-scale handwoven tapestries are too expensive for those with moderate incomes.designed as single panels or sets.A tapestry set is a group of individual panels related by subject, style, and workmanship and intended to be hung together.The number of pieces in a set varies according to the dimensions of the walls to be covered.Each unit of the pattern or the background is woven with a weft, or thread of the required colour, that is inserted back and forth only over the section where that colour appears in the design or cartoon.As in the weaving of plain cloth, the weft threads pass over and under the warp threads alternately and on the return go under where before it was over and vice versa.