For the final look , Sabrina's hair is long and loose around her shoulders and then loosely covered with a bright red hijab which she later pulls down so it rests on her shoulders.
Her make-up is pretty but subtle and she confidently smiles at the camera before walking off screen.
Iran, twice the size of France, sits in an increasingly important corner of Asia — surrounded by Turkey, Iraq, Pakistan, and Afghanistan.
We start in the capital, Tehran, follow an ancient trade route south to the village of Abyaneh, to Esfahan, to Shiraz, and then finish at Persepolis.
The model's broad smile as she poses shows how women at this time felt free, happy and hopeful.
In the post World War Two years in the Fifties, Sabrina's style is more subdued than in the Forties, the make-up remains but the lips as toned down to pink and the hair is curled but pinned back to look more prim and demure.
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was created with footage from the one-hour television special, "Rick Steves' Iran: Yesterday and Today." Aside from minor changes, the first half of the special's script, below, serves as the script for this episode.
They were beginning to establish careers with Farrokhroo Parsa becoming the first woman to hold a cabinet position as Minister of Education in 1969.
In the Seventies, the heavy make-up remains with smokey eyes while the hair is Charlie's Angels inspired with long, loose waves.
Every country, including our own, limits access to foreign film crews.
We're here in Iran with the permission of the Iranian government.